Steven Lee & Gaby Dershin – Exit Row (Pirupa & Ruggero Remix) (C2)
Buy it now here or here.
C2 consistently put out quality records from the likes of Danny Howells, DJ Pierre, Eric Prydz, and Steve Angelo. This year, they have two in my top ten and two more that just missed the cut. This collaboration by veteran collaborators (Steven Lee is half of Lee-Cabrera, while Dershin is half of duo Astro & Glyde) features plucked strings over a chugging bassline. The original is good, but the remix is better. By adding another, percussive bassline underneath the original bassline and dispensing with the super-long breakdown, relative unknowns Pirupa & Ruggero make the track that much more propulsive. Whenever my mix needed to gather a bit of steam, this is the record I reached for.
Shed – Warped Mind (Ostgut Ton)
Buy it now here or here.
2008 will also be known as the year when minimal techno really came out. Labels like liebe*detail, Get Physical, and Areal all made big splashes this year, but the tsunami came from Berlin producer Shed. With a penchant for odd time signatures and unique track structures, “Warped Mind” is probably his most accessible track in recent memory. In keeping with the auditory aesthetic of minimal techno, “Warped Mind” is an elegant track, consisting of little more than a filtered synth line over skittery percussion. And yet, as with most of the genre, there is something about it that moves the hips and nods the head.
Kaskade & Deadmau5 – Move For Me (Deal)
Buy it now here or here.
I’ve written about this track before and, thankfully, it’s lost none of its immediacy. Even though it is the only Deadmau5 production I’ve enjoyed all year, it’s still a great track and the ‘mau5 is in my top ten for the second year in a row.
Renato Cohen – Magica (Sino)
Buy it now here or here.
Every now and then, Brazilian techno star Renato Cohen drops a couple of brilliant techno stormers into the laps of Hong Kong label Sino. He did it in 2003 and again in 2005. This year he dropped off one driving techno classic (b-side “Power”) and one tech-house masterpiece (a-side ”Magica”). Both tracks are elegantly simple, with the latter being a slightly better track than the former. “Magica” marries a looped vocal sample with an acid bassline and a high-low, pitch-bent electro-bass. The loop extols the listener to “Save my Life!” which, when combined with the pitch-bent bass, creates the kind of adrenaline-inducing vibe most often heard in jock jams like Gary Glitter’s “Rock ‘n’ Roll (Part 2)”. “Magica” works best as what I think of as a transition track; one that transitions from a lower to a higher state of floor energy. In that context, it simply can’t be beat.
My Federation – Don’t Wanna Die (Eye Industries)
Buy it now here.
There aren’t very many so-called Indy-rock bands that incorporate the house/techno sound palette into their songs with any grace or consistency. These types of bands tend to display a great deal of distain for all things electronic, despite the fact that punk bands these ingrates tend to idolize owe just as much to dub reggae and disco as they do to 50s rock. My Federation would appear to be the exception rather than the rule. The title single from their excellent album “Don’t Wanna Die” sets the tone for the whole album. It’s punk with an acid bassline. The icing on the cake is the glorious 3-part harmony on the chorus. If that sounds like your cup of tea, then for god sake pick up this slice of 7” gold. If those are all gone, then go get the CD.
Murk Presents Liberty City – If You Really Love Someone (Paul Woolford’s 11 Minutes of Magic) (C2)
Buy it now here or here.
Miami-based duo Murk has been in the game a long time. They’ve been making house since the early 90s under a plethora of pseudonyms. You might know them from classics by the likes of Funky Green Dogs or Mission Control or Interlude or Interceptor or Deep South or Coral Way Chief or, indeed, Liberty City. “If You Really Love Someone” was originally released was originally released in 1994 under Twisted Records sub-label TRIBAL and is considered a classic. The real story here is not Murk; it’s Paul Woolford. Ordinarily, I have avoided putting remixes and redoes of classic tracks in the round-up because they tend to be luke-warm versions of the original; a Malibu Stacy with a new hat. Just occasionally, however, an accomplished producer can take a classic and make it their own. “If You Really Love Someone” is a pretty menacing track to start with. The hissy percussion cuts through the three-note bassline like a knife, while Shauna Solomon’s layered vocals wails over top of it all. Woolford dispenses with everything but the vocal, adds a growling, pulsing bassline over some 909 drum sounds and manages to simultaneously make the track more propulsive and more ominous. Even its extended length (11 minutes!) isn’t an issue as Paul changes things up just enough to keep things rolling and stop the listener from tuning out. Woolford’s output has been spotty at best in the last few years, but this remix places him firmly back in the pantheon of great producers.
Oliver Koletzki vs. Parker Frisby – The Is So Fuckin’ Oldschool (Stil Vor Talent)
Buy it now here or here.
Don’t let the title fool you: Oliver Koletzki wrote and produced all four of these gems. Even though the track list credits A-side tracks “Since You Are Gone” and ”This Is So Fuckin’ Oldschool” to Koletzki and B-side tracks ”Street Life” and ”Brain Against Heart” to Parker Frisby, it’s obvious to the listener that they’re all the same guy. The title is accurate in one regard; these tracks would fit nicely in sets from both 2008 and 1998. ”Street Life”, for example, sounds like a Samplitude-era Olav Basoski track. What ties the EP together is the percussion. The same drum palette is used in all four productions with varying degrees of success. Of the four, I slightly favour “Since You Are Gone”, closely followed by ”Brain Against Heart” simply for the interaction between the chosen drum sounds and clean piano/keyboard melodies. In terms of bang-for-your-buck, you can’t go wrong with this EP.
Wagon Cookin – Mallorca (Sasse Remix) (Compost)
Buy it now here or here.
Apart from the time-signature, I’m not even sure there’s anything left of the original in Sasse’s remix of “Mallorca”. Regardless, I have been digging that bassline since this record dropped in February. The filtering applied is just perfect for head-nodding and hip-shaking. My only complaint is that that the track ends…oddly. After the break, that awesome bassline just drops completely out and you’re left with only the drums and the synth chords. If you’re not paying attention, it’s a real letdown, but if you’ve got another bassline waiting it the wings, it’s gold.
Andomat 3000 – BND2 (Four:Twenty)
Buy it now here or here.
Andomat 3000, a.k.a. Andreas Wiegand, has been recording as DJ Mahatma since the turn of the millennium. I can understand why he came up with the new moniker because his previous output consists almost entirely of hardcore techno/Schranz; certainly nothing like this minimal jewel. The combination of the shuffle percussion and stand-up bass loop provides “BND2”s groove, while the occasional trumpet call and ululating yell evokes the image of outlaws huddled around a campfire in a Tex-Mex desert. Even the title is a clever contraction of the word “bandito”. Even Kiki’s utterly pointless remix serves to underline the genius of original. Out of all the artists listed in this round-up, Andomat 3000 is the one to watch.
The Whitest Boy Alive - Golden Cage (Fred Falke Remix) (Modular)
Buy it now here or here.
I wrote about “Golden Cage” 5 months ago in The Lost Post (Summer Ingredients) and it’s still golden. Fred Falke doesn’t put a foot wrong on this remix. The sparkling melody, the pulsing bassline, the pitch-bent synths, I love it all and it is far and away my favourite record of the year.
Anyway, keep watching this space. I’ve got a bunch of things in the works, including some upcoming shows and record reviews. Not to mention a new mix that may include a few of the tracks listed above. All set to drop in the next couple of weeks. Until then, keep buying records.
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